Victorian London


If in the first half of the nineteenth century it was Manchester, not London, which was regarded as the prototype of the unplanned industrial city. But in the second half of the century London fascinated the West as the first example of the "world city."

I. The "world city."

This new form of city was characterized primarily by a very large population spread over a very large area; by 1900 Greater London had a population of over six million inhabitants spread over more than a hundred square miles. This spread of the city had been made possible by the mechanization of transport. The construction of the railroads from the 1830s mad e possible the middle-class commuter and the development of suburbia.

The dispersion of the poorer classes was made feasible first by the underground railroad in 1865, and then in the 1880s by the laying down of rails in the streets themselves for horse drawn trams and later for electrically powered cars.

Secondly, the world city's population was drawn from the whole world. London's population was constantly augmented by the influx of great numbers of migrants, from within Britain and abroad. The railroads brought into London the dispossessed and the ambitious of the countryside and the northern cities, as well as the poor and politically oppressed from the South and East of Europe; the steamship brought migrants from the empire, Indians and Chinese above all.

Thirdly, the world had direct industrial and commercial ties to the rest of the planet. The steamships brought into the Port of London eight million tons of goods in 1880, compared with only 800,000 at the beginning of the century; and Baedeker was sending visitors to see the warehouses that could store 200,000 tons of foods. "Nothing will convey to the stranger a better idea of the vast activity and stupendous wealth of London," he wrote, "than a visit to the warehouses, filled to overflowing with interminable stores of every kind of foreign and colonial products."

Fourthly, the world city was deeply involved in the internal affairs of the other nations of the world. For Victorian London, this involved a dual responsibility. It was the administrator of a growing colonial empire and the undisputed leader of a group of self-governing dominions; and as its industrial supremacy and its naval might made it, at least until about 1870, the major power in the world, it was a necessary participants in all important world affairs. Indeed at times its attitude seemed well summed up by the popular music hall song:

We don't want to fight
But by Jingo, if we do
We've got the men, we've got the ships,
We've got the money too.

The change in London in the nineteenth century was due to the conversion of an industrial, commercial and administrative capital to a new world role; and its physical adaptation was made possible by the application of a new technology to the needs of urban life.

II. Social Tensions

The years between the defeat of Napoleon at Waterloo in 1815 and the continent wide revolutions in 1848 had not been years of social peace in Britain. The predominant mood had been a state of disquiet for the future of British society, due to either a distrust of British institutions or fear for their survival. It is true that the industrial revolution was continuing unabated, passing from a transformation of textile production to an industrialism of railroads, coal, and iron. industrial production rose at an average of thirty-seven percent each decade. Yet the working classes were continuously discontented and intermittently riotous.

In the 1830s and 1840s, bad harvest combined with the tariff on imported wheat to keep food prices high; downturns in the business cycle, uncontrolled by government action, produced severe unemployment; and there was even a fall in the real wages of those who had jobs. The reform measures that were finally passed in the 1840s, such as the Factory Acts and the repeal of the Corn Laws, were little more than palliatives. Only higher wages and more secure employment could end working-class misery.

Discontent with the country's political institutions had been focused on the method of electing the House of Commons. The Reform Bill of 1832 had at last spread representation to the industrial cities, and had given the wealthier middle classes suffrage. But only one man in five had the vote; and no women had the privilege. The general discontent with the nature of parliamentary representation and even, in the early part of the century, extended to include the monarchy itself.

George III had been totally insane in the last years of his reign. His son George IV (reigned 1820-1830) was, in the words of The Spectator, "a weak, ignorant, commonplace sort of person." Little more was expected of Victoria when she ascended the throne at the age of eighteen, unprepared by education or background for her new responsibilities. The people of London, as The Times commented, "saw the monarchy in Queen Victoria, and pledged themselves that for their own sakes they would uphold it, with the help of their Sovereign, so - if not, they would preserve the monarchy, in spite of an ill-advised monarch."

As for the empire, which was to become the chief source of national pride by the end of Victoria's reign, only the working classes showed any interest. In the 1830s, over 100,000 persons emigrated annually; in the 1840s, over 200,000. Their destinations were Canada, Australia, New Zealand, South Africa, and also the United States. The government fought small wars, like the Opium War in China, to increase trade facilities, and permitted both governmental and private agencies to expand their territorial hold in India and south Africa. But for the general public the disillusionment that had followed the loss of the American colonies persisted.

III. Character of Victorian Age

By 1851, the discontent with industrialism and with the country's political institutions had been alleviated, and the first glimmerings of interest in empire were being roused by the activities of antislavery groups and explorers. From 1848 to the crash of 1873, the mid-Victorian age knew steady and real prosperity. Its basis was the expansion of the heavy industries linked to coal, iron, and steel, especially for the building of railroads, steamships, and other forms of heavy engineering. The beginning of industrialism on the continent made the developing countries there major importers of British coal, iron and steel, and heavy engineering products until they themselves, from the 1870s, could challenge Britain's position as the workshop of the world.

Capital accumulated in the earlier phases of the industrial revolution now sought new openings for profitable investment in new forms of industry and in overseas investment. Britain became the world's banker as well as its manufacturer. Even the farmers found that they could profit from the growing home market by capital investment in land or mechanical improvements, and ceased to regret the repeal of the Corn Laws. Free trade was welcomed as the common philosophy of both industrial and agricultural classes, and a climate of opinion thus came to exist that was favorable to the capitalist expansion.

Even working-class wages rose faster than the rising prices that were themselves acting as an inflationary stimulus to the economy. Money wages probably rose fifty-six percent between 1850 and 1874. Taken in relation to the rise in prices, the average working-class family probably received about ten percent more in real wages. The rise was sufficient to blunt the discontent of the poorer people.

One important factor strengthening faith in Britain's political institutions was the sense of relief at having avoided the upheavals that rocked the continental capitals in 1848. British governments, even if elected by a minority of the country's population, had answered demands for reform with bills ranging from the abolition of slavery in the British empire (1833) to the institution of a ten-and-a-half-hour working day in the factories (1847). Moreover the predominant liberal ethic was against the increase in state controls, and hence minimized the significance of widespread political participation. London itself lacked an effective local government, and even an adequate water supply and sanitary system, and efforts to provide them received little public support. "We prefer to take our chance of cholera and the rest," wrote The Times, "than be bullied into health." Even minor attempts at parliamentary reform in the 1850s died for lack of interest.

To this renewed acceptance of the validity of Britain's political institutions, Victoria herself had contributed substantially. From the moment of her accession, Victoria showed the qualities that were to remain with her throughout her reign: a sense of duty, a conviction of moral righteousness, and a deep feeling for her country. "since it has pleased Providence to place me in this station," she wrote in her diary, "I shall do my utmost to fulfill my duty towards my country; I am very young, and perhaps in many, though not in all things, inexperienced, but I am sure, that very few have more good will and more real desire to do what is fit and right than I have."

Her marriage in 1840 to the earnest young German prince, Albert of Saxe-Coburg-Gotha, helped her find her political role. Albert was well-educated and intelligent. He had grasped the significance of the monarchy's new functions, which combined a small amount of political manipulation with an unlimited responsibility as the emotional and ceremonial focus of a people in social turmoil. It was Albert whose growing domination over his wife forced Victoria to take an interest in matters that had previously bored her, such as science and literature and even industrial progress. As Victoria accepted the necessary transition of power to men with whom she had little personal sympathy, she pursued family interests with her nine children, visits to the seaside and the country with the family, and admiration of Albert's plunge into the world of British industry.

IV. The Crystal Palace

In 1849, Albert hit upon the idea of the Great Exhibition, "to give us a true test and a living picture of the point of development at which the whole of mankind has arrived in this great task of applied science and a new starting point from which all nations, will be able to direct their further exertions." The prince's idea was approved by the Royal Society, and won the financial backing of industry and the general public, who subscribed £200,000 as guarantee. A Royal commission of architects and engineers was appointed to plan the building and exhibits.

Out of 234 plans submitted, the commission, urged by the prince, eventually picked the most original design of all, a massive greenhouse designed by the head gardener of a northern duke. Joseph Paxton, however, was no mere gardener, but an engineer, railroad director, newspaper promoter, and imaginative architect in glass and iron. He offered a building 1,848 feet long, 308 feet broad, and 66 feet high, tall enough to cover the old elm trees already occupying the chosen site in Hyde Park. It was composed of mass-produced and standardized parts, including over 6,000 15-foot columns and over one million square feet of glass. It could be erected in seventeen weeks; and it could be, and was, dismantled and re-erected in another part of London when the exhibition was over. In spite of many fears expressed over the building's durability, it survived until 1936.

The completed building found few detractors. All of the thirteen thousand exhibitors had ample space; and so did six million visitors from all over the world, who gazed in fascination, as described by Lord Tennyson, on

... the giant aisles
Rich in model and design;
Harvest-toll and husbandry,
Loom and wheel and enginery,
Secrets of the sullen mine,
Steel and gold, and coal and wine,
Fabric rough or fairy-fine...
And shapes and hues of Art divine!
All of beauty, all of use,
That one fair planet can produce.

To Victoria, it was Albert's greatest triumph, "the greatest day in our history, the most beautiful and imposing and touching spectacle ever seen, and the triumph of my beloved Albert." The Queen was right in thinking that the exhibition summarized the aspirations of her time. She had little idea how diverse would be the judgments of later ages on the contents of her Crystal Palace and on the state of mind and taste that they epitomized.




Send comments and questions to Professor Gerhard Rempel, Western New England College.